Rosa is a rebellious young woman who lives with her grandmother and her uncle in a village in Calabria, high in the dry hills. All of a sudden, her day-to-day routine is shattered by something that emerges from her past: a trauma that links her to the mysterious death of her mother years earlier. When Rosa realizes she is doomed to a fate that is preordained, she decides to betray her family and seek her own revenge. When that family belongs to the ‘Ndrangheta, however, each step she takes may be her last. screenplay Lirio Abbate Serena Brugnolo Francesco Costabile Adriano Chiarelli loosely based on Fimmine ribelli. Come le donne salveranno il paese dalla ‘Ndrangheta by Lirio Abbate cinematography Giuseppe Maio editing Stefano Mariotti music Valerio Camporini Faggioni sound Federico Cabula production design Erika Aversa Gianluca Salamone costumes Luca Costigliolo cast Lina Siciliano (Rosa) Fabrizio Ferracane (Salvatore) Anna Maria De Luca (Berta) Simona Malato (Rita) Luca Massaro (Natale) Vincenzo Di Rosa (Ciccio) Mario Russo (Gianni) Francesca Ritrovato (Cetta) producers Attilio De Razza Pierpaolo Verga Nicola Picone Edoardo De Angelis productions Tramp Limited O’Groove world sales Intramovies sales@intramovies.com www.intramovies.com Francesco Costabile studied film at the University of Bologna, where he made his first short film, La sua gamba (2001), which won kudos at the Bellaria Film Festival in 2002. Next, he studied directing at the Centro Sperimentale di Cinematografia in Rome, making the shorts L'armadio and Dentro Roma, the latter of which won a Silver Ribbon for Best Short and was nominated for a David di Donatello in the same category. He wrote various screenplays with a queer theme, then turned to documentaries, making two about the costume designer Piero Tosi (L'abito e il volto, 2009, Audience Award at the 2010 Biografilm Festival, and Piero Tosi 1690, in 2014). Costable continued to explore the biopic genre in the documentary In un futuro Aprile, about Pier Paolo Pasolini and his ties to his native Friuli and its dialect. This film was shortlisted for the 2021 Silver Ribbons and won numerous awards. In 2017, he produced the film Porno e Libertà by Carmine Amoroso with Zut Film. The same year, Costabile founded the queer and post-porn Hacker Porn Film Festival with filmmaker Lucio Massa. 2022 Una femmina 2019 In un futuro aprile (doc) 2014 Piero Tosi, 1960 – L’inizio del secolo (doc) 2009 L’abito e il volto (doc) 2006 Dentro Roma (short) 2004 L’armadio (short) 2001 La sua gamba (short)

Puglia. Burnt by the sun and seared by hatred, the Gargano promontory is contested by criminals who seem to spring from a remote past governed by the law of the jungle. It’s an archaic land reminiscent of the Far West, in which blood is washed away with blood. An old feud between two rival families is rekindled by the forbidden love between Andrea, reluctant heir of the Malatesta, and Marilena, wife of the head of the Camporeale clan. Their fatal passion triggers a new war, but Marilena, banished by the Camporeale and prisoner of the Malatesta, will oppose the fate arranged for her, with a mother’s strength. screenplay Antonella W. Gaeta Pippo Mezzapesa Davide Serino loosely based on Ti mangio il cuore by Carlo Bonini and Giuliano Foschini cinematography Michele D'Attanasio editing Vincenzo Soprano music Teho Teardo sound Fabio Conca production design Daniele Frabetti costumes Ursula Patzak cast Elodie (Marilena Camporeale) Francesco Patanè (Andrea Malatesta) Francesco Di Leva (Giovannangelo) Lidia Vitale (Teresa Malatesta) Giovanni Trombetta (Paky Malatesta) Letizia Pia Cartolaro (Immacolata Malatesta) Giovanni Anzaldo (Zigo Zago) Gianni Lillo (Damiano Camporeale) Brenno Placido (Potito Montanari) Tommaso Ragno (Michele Malatesta) Michele Placido (Vincenzo Montanari) producers Nicola Giuliano Francesca Cima Carlotta Calori Viola Prestieri production Indigo Film with Rai Cinema world sales True Colours info@truecolours.it www.truecolours.it Pippo Mezzapesa is a screenwriter and director. His short films include: Zinanà (David di Donatello, 2004), Come a Cassano, L’altra metà (nods for both the David di Donatello and Globo d’Oro; special mention at the Silver Ribbon Awards), Settanta (2012 Silver Ribbon; David di Donatello nominee), La giornata (Special Silver Ribbon; nods for both the David di Donatello and Globo d’Oro). Of his two documentaries, Pinuccio Lovero – Sogno di una morte di mezza estate premiered at the International Critics’ Week at Venice, and Pinuccio Lovero – Yes I Can was selected for the Rome Film Festival’s Prospettiva Italia section. His first feature film, Il paese delle spose infelici, screened in competition at the Rome Film Festival. His 2018 film Il bene mio premiered at Giornate degli Autori in Venice. 2022 Ti mangio il cuore 2018 Il bene mio 2017 La Giornata (short) 2012 Settanta (short) 2012 Pinuccio Lovero – Yes I Can (doc) 2011 Il paese delle spose infelici 2009 L’altra metà (short) 2008 Pinuccio Lovero – Sogno di una morte di mezza estate (doc) 2006 Come a Cassano (short) 2004 Zinanà (short)

For a few days now, something strange has been going on in Rome: when it rains, a greyish slime oozes from gutters and manholes, along with a dense steam for which there is no explanation. No one would ever guess that whoever inhales these gases will be forced to confront everything they repress: their darkest instincts, their rage. Not the Morel family, either. Since Cristina died in an accident a year ago, the warmth has gone out of the Morel menage, at least between her husband Thomas and son Enrico, while little sister Barbara longs to regain a happy family, the way it was. The accident could have been avoided, and both men know it. But instead of manning up, taking their respective blame, and moving on, they are no longer on speaking terms, two tormented souls, devoured by rage and trapped in a city that resembles them: gloomy, tense, and at the boiling point. screenplay Jacopo Del Giudice Paolo Strippoli Gustavo Hérnandez cinematography Cristiano Di Nicola editing Marco Spoletini music Raf Keunen sound Paul Maernoudt Antoine Vandendriessche production design Nello Giorgetti costumes Nicoletta Taranta cast Fabrizio Rongione (Thomas) Cristiana Dell’Anna (Cristina) Francesco Gheghi (Enrico) Aurora Menenti (Barbara) Leon De La Vallée (Gianluca) Ondina Quadri (Alice) Orso Maria Guerrini (Ferrini) Elena Di Cioccio (Marta) Nicoló Galasso (Giacomo) Federigo Ceci (Leonardo) Pietro Bontempo (Giacomo's father) producers Marina Marzotto Mattia Oddone production Propaganda Italia Paolo Strippoli graduated with a performing arts degree from the Sapienza University of Rome and received a degree in directing from the Centro Sperimentale di Cinematografia. In 2019, he won the Franco Solinas Award for Best Original Story for the L’angelo infelice. In 2021, Strippoli’s first feature film, A Classic Horror Story, co-directed with Roberto De Feo, won the Best Director Award at the Taormina Film Fest. Piove is his second feature film. 2022 Piove 2021 A Classic Horror Story (directed with Roberto De Feo) 2019 Senza tenere premuto (short) 2018 Nessun dorma (short) 2018 Storia triste di un pugile scemo (short) 2017 Fine d'estate (short) 2016 Bassa stagione (short) 2015 Mio fratello (short) 2015 Fusa (short) 2015 Creme Aigre (short) 2015 Y Generation (short) 2014 Dimmi cosa senti (short) 2012 In un mondo violento (short)

Gallura, the mid-1800s. The feud between the Vasa and Mamia families – which really happened, leaving seventy people dead – is underway. Bastiano Tansu, a real-life character, is a deaf-mute since birth, mistreated and marginalized ever since, and his fury and his amazing aim are put to ‘good’ use in the feud. His blood ties and the murder of his brother Michele drive him to join forces with one of the two leaders of the factions, Pietro Vasa, who turns him into the most-feared assassin of the entire faida. When the Peace of Aggius puts and end to the bloodshed, Bastiano seems to have found peace himself in his love for a pastor's daughter, but in a violent and superstitious world that already labeled him the devil's son when he was just a boy, someone like him cannot be found innocent. screenplay Matteo Fresi Carlo Orlando cinematography Gherardo Gossi editing Valeria Sapienza music Paolo Baldini Dubfiles with the collaboration of Alfredo Puglia and Filippo Buresta sound Fabio Melorio production design Alessandro Vannucci costumes Monica Simeone cast Andrea Arcangeli (Bastiano Tansu) Marco Bullitta (Pietro Vasa) Giovanni Carroni (Antonio Mamia) Syama Rayner (Gavina) Aldo Ottobrino (Amedeo) Fulvio Accogli (Michele Tansu) Nicola Pannelli (Don Augusto) producers Domenico Procacci Laura Paolucci production Fandango with Rai Cinema Matteo Fresi received a degree in modern art history in 2005. His mother is from Umbria and his father from Gallura, in Sardinia, and during his years at university, he worked as a skipper and sailing instructor in the Maddalena archipelago. He then obtained a degree in narrative techniques from the Holden School, and has taught there since 2007. He is one of the founding partners of a small, Turin-based production company, Epica Film. Il muto di Gallura is his first film. 2021 Il muto di Gallura

Rome, 1999. Giorgio, a promising young boxer, lives with his mother on the dreary outskirts of the city. His father, murdered years earlier, had left his son with an outstanding debt with the local mob, a burden that keeps Giorgio from living his own life. With the help of a former boxer, Massimo, who sees Giorgio becoming the great champion he himself never was, his protegé finally has the chance to make good and break into professional boxing. The local mob, however, never forgets or forgives those who don’t play by its rules. screenplay Alessio De Leonardis Fabrizio Moro cinematography Simone Zampagni editing Luigi Mearelli   music Fabrizio Moro production design Gaspare De Pascali costumes Magda Accolti Gil cast Giacomo Ferrara (Giorgio) Vinicio Marchioni (Massimo) Claudio Camilli (Pisciasotto) Beatrice Bartoni (Elisabetta) Sara Cardinaletti (Floriana) Valerio Morigi (Sfascio) Lidia Vitale (Maria) Lorenzo Grilli (Blond) Emanuele Propizio (Michelino) Mauro Cremonini (Giovannone) production La Casa Rossa with Tenderstories Alessio De Leonardis studied film at the University of Bologna and broke into film in 2003 as a director’s assistant and then an A.D. starting in 2005. Over the course of his career, he has worked with filmmakers such as Krzysztof Zanussi, Daniele Vicari, Claudio Fragasso, Paolo e Vittorio Taviani, Gabriele Mainetti, Vincenzo Marra, and Marco Risi. He started directing his own films in 2011, first a number of award-winning shorts, then several music videos. In television, he worked as second unit director on the Raiuno series L’Aquila, grandi speranze. In 2015 he was a collaborating director to Paolo Cevoli on the film Soldato Semplice. Ghiaccio is his first feature film. Starting in 2000, singer Fabrizio Moro has taken part in the Sanremo Festival several times. And it was that same year that his first album as a songwriter, Fabrizio Moro, came out. In 2007, he signed with producers Giancarlo Bigazzi and Marco Falagiani and started putting together his album Pensa. His song of the same name won both the critics’ prize and the young talent section at Sanremo. In 2018, he joined forces with songwriter Ermal Meta to triumph at Sanremo with the song Non mi avete fatto niente. In 2021 he and Alessio De Leonardis co-directed the music video Sogni di rock’n’roll, which premiered at the Rome Film Festival. He has now teamed up with De Leonardis once more on Ghiaccio. 2022 Ghiaccio

Milan in the late 1970s. Pierluigi Torregiani, a jeweler and a self-made man, endures a robbery attempt during which a young thief is killed. It wasn’t Torregiani who pulled the trigger, yet he is accused of being a ‘bourgeois vigilante”. The tense political climate of the times makes him the perfect target of a terrorist organization, PAC, headed by Cesare Battisti. PAC decide to punish him for his alleged crime. Torregiani and his family receive death threats so credible that they are placed under police protection. But the threats keep coming, so pervasive that they affect the man’s work and his relationships with his family members, until they reach the breaking point. screenplay Fabio Resinaro Carlo Mazzotta Mauro Caporiccio from the book with the same name by Alberto Dabrazzi Torregiani and Stefano Rabozzi cinematography Paolo Bellan editing Luciana Pandolfelli music Andrea Bonini production design Pasquale Tricoci costumes Enrica Barbano cast Francesco Montanari (Pierluigi Torregiani) Laura Chiatti (Elena) Gianluca Gobbi (Salvo Lo Russo) Pier Giorgio Bellocchio (detective Giardino) Stefano Fregni (bank manager) Luca Guastini (Albertini) Juju Di Domenico (Marisa) Gualtiero Burzi (doctor) producer Luca Barbareschi production Èliseo Entertainment with Rai Cinema Fabio Resinaro joined forces with Fabio Guaglione, a high school friend, to form a prolific artistic duo that turned out its first short film, Ti chiamo io, in 2001. In 2004, they directed a second short, science fiction this time, E:d:e:n, which won numerous awards, mostly abroad. Two medium-length films, The Silver Rope (2006) and Afterville (2008), were also well-received. In the following years, the two filmmakers alternated producing or writing films with directing a variety of music videos and promos. In 2016, Resinaro and Guaglione directed their first feature film, Mine. The film earned two nominations at the David di Donatello awards and the Silver Ribbons; above all, it did very well at the box office. Two years later, the duo produced Ride by Jacopo Rondinelli, nominated for the 2018 Caligari Prize. Since 2019, Resinaro has directed three more features: Dolceroma, Appunti di un venditore di donne, and Ero in guerra ma non lo sapevo. 2022 Ero in guerra ma non lo sapevo 2021 Appunti di un venditore di donne 2019 Dolceroma 2016 Mine (directed with Fabio Guaglione) 2008 Afterville (short, directed with Fabio Guaglione) 2006 The Silver Rope (short, directed with Fabio Guaglione) 2004 E:d:e:n (short, directed with Fabio Guaglione) 2001 Ti chiamo io (short, directed with Fabio Guaglione)