Irene, a wealthy and influential art collector, seems to have it all, until a sudden tragedy shatters her life. Something primal awakens within her, tearing apart her privileged existence, driving her down to a path of destruction and animalistic transformation. Ferine is a haunting story of loss, change, and the fragile line between humanity and primal instinct, exploring how trauma can awaken the darkest corners of the human soul. screenplay Andrea Corsini with Massimo Vavassori cinematography Fabrizio La Palombara editing Matteo Mossi music Pino Donaggio sound Mirko Perri Giulio Previ production design Carlotta Desmann costumes Silvia Nebiolo cast Carolyn Bracken (Irene) Caroline Goodall (Dama) Paola Lavini (Rosa) Elisabetta Caccamo (Giulia) Fabrizio Odetto (Pietro) Marco Gambino (Alfredo) producers Giorgia Priolo Francesco Grisi Niccolò Ballarati Gaia Bussolati Stefano Leoni Francesco Pepe production EDI (Effetti Digitali Italiani) associated producers Marco Colombo Mattia Della Puppa in association with Adler Entertainment Filmaffair OMDT world sales Piperplay c.rossi@piperplay.eu Italian distribution Adler Entertainment info@adler-ent.com www.adler-ent.com "Every human being lives in a fragile balance between their rational side and their animal side, instinctive and primordial. What would happen if this balance fell apart? This question is where I began, giving life to a story that explores the boundaries of our own nature, using genre elements to deal with the fears of the real world — in our own lives — the things that make us suffer, the things we cannot control. We only see what we want to see, and we bury deep inside the pain we cannot bear. It is precisely that unbearable pain that Irene tries to deny and repress, which ends up awakening her primordial side: a brutal, merciless force, yet at the same time a force of salvation — able to finally connect her with her new self."  (Andrea Corsini) Andrea Corsini is a multiple awarded director and screenwriter. His works has been showcased at Mostra del Cinema di Venezia, Aesthetica, Triennale di Milano, Fantasia, BIFAN. He's been a selected director at international development programs Cannes Frontières, Milano Film Network and European Genre Forum. In 2011 he wrote and directed the short film Non nel mio giardino. In 2018 his experimental documentary Societas Mortis has been premiered at Triennale di Milano. In 2019 he wrote and directed the short film Ferine premiered at Venezia International Critics Week. 2025 Ferine 2019 Ferine (short) 2018 Societas Mortis (short, doc) 2011 Non nel mio giardino (short)

Dreaming of a better life, Nina leaves Marseille to work as a receptionist in a luxury resort on an island in the Indian Ocean. Everything goes smoothly, until a tragic accident thrusts Nina into a nightmarish terrain of lies and manipulation. Wrongly accused, and risking a life sentence in jail, the woman has to fight to survive and overcome numerous obstacles to save herself from that erstwhile paradise, now an inferno. screenplay Karine Silla cinematography Benjamin Ramalho editing Hugo Lemant music Clément "AnimalSons" Dumoulin sound Naigrom Kijjawatana production design Siranat Ratchusanti costumes Nirachara Waannalai cast Nora Arnezeder (Nina) Maria Bello (Sam, Nina's mother) Alyy Khan (Azaan) Shubham Saraf (Tarik) Ranjit Krishnamma (Manik, Nina's lawyer) Sartaj Garewal (Judge Himawan) Louka Meliava (Julien) Joséphine de la Baume (Valéria) producer Virginie Silla productions LB Production Europacorp La petite reine White & Yellow world sales Kinology contact@kinology.eu www.kinology.eu “I met Virginie Silla and I was struck by how strong she was. When I was shown the screenplay written by her sister Karine, I was fascinated by it instantly. The story really reflected my own interests, in particular those addressed in my film series Banlieusards. Behind this paradisiacal scenario, there is a meditation on themes like incarceration, control, and freedom. That was fairly clear. [...] The fact that the film was based on a true story meant it called for great sensitivity. We wanted to avoid any distortions and stayed true to the complexity of Nina’s trials and tribulations, paying homage to her strength of will and determination.” (Leïla Sy) Leïla Sy graduated from the Penninghen School of Graphic Arts and started her career as a dancer, musician, photographer, and artistic director, collaborating with the Rodlaur Agency (DIOR, Barbie Joaillerie, Mikimoto) and the American magazine The Source. She went on to work for the magazine Insensé Photo, exploring contemporary photography. Her eclectic bent led her to make numerous music videos for Kery James, Diam's, Zaho, Lino, Fianso, NTM, Soolking, Gaël Faye, and L.E.J. In 2011, she directed the documentary Rimes et Châtiments, about censorship in French rap music. Three years later, she co-directed her first feature film with Kery James: Banlieusards, available on Netflix. In 2022, she completed two films, Yo mama and Banlieusards 2, both of which also on Netflix. Shooting has just ended on Banlieusards 3, so to find out how the trilogy on the banlieue ends, there are a few more months to go. 2025 Hell in Paradise 2022 Yo mama 2022 Banlieusards 2   2019 Banlieusards (directed with Kery James) 2016 Ne manque pas ce train (short)

In Yaoundé, Police Chief Billong is investigating the murder of a police officer. In the streets and at home, he struggles to maintain order. A man of principle and tradition, he is reaching breaking point. freely adapted from Un Crime à Abidjan a documentary by Mosco Levi Boucault screenplay Thomas Ngijol Patrick Rocher cinematography Patrick Blossier Marion Peyrollaz editing Cécile Lapergue music Dany Synthe Isko sound Pierre Tucat Noëmy Oraison Victor Fleurant Sylvain Adas production design Mansour Gueye costumes Laurita Ngringeh cast Thomas Ngijo (Billong) Danilo Melande (Étamé) Bienvenu Mvoe (Patou) Thérèse Ngono (Odette) Junior Bessala (Arthur) Dimitri Amougou (Junior) Christol Djomo (Daniel) Terrence Samba (Bienvenue) Olivier Fomedjo (Poutine) Gaston Tsinapi (Blacky) Janvier Paul Nwind (Pépé) Ariane Ntomba (Adeline) Zé Yssa Yinkou (Alain) productions Why Not Productions Chronic executive producers Anais Lonkeu Youssef Jouini executive production Iconic Company co-production Canal+ Afrique world sales Goodfellas feripret@goodfellas.film www.goodfellas.film "The film shakes you a bit, but I am not trying to point out the shortcomings of the social system. As it happens, depending on the level of economic development, each country manages its social problems, and as far as police violence is concerned, it exists everywhere, in Europe, in the US, etc. As it happens, Cameroon is a country I have known since my early childhood and to which I am deeply attached. I wanted to stick to a certain reality without cheating, without delusion, with honesty. The honesty and the sincerity that emerges from the film can make one cringe or smile. In fact, during post-production, I was in Cameroon to do the post-synchs, and everyone around me was smiling. No one was astonished. I was told: this is our daily life." (Thomas Ngijol) Thomas Ngijol has been seen on television (Le Grand Journal, Jamel Comedy Club, Selon Thomas), on the big screen in popular comedies (Case Départ, Le Crocodile du Botswanga, Fastlife, Black Snake), and on stage (À Block, 2, L’Œil du tigre). Untamable, his new feature film, was shot entirely in Cameroon, his country of origin.  2025 Indomptables 2017 Black snake, la legende du serpent noir (directed with Karole Rocher) 2014 Fast Life 2011 Case depart (directed with Lionel Steketee and Fabrice Eboué)

Early 1990’s, the south of France. Katy, Hélène, Laurence and Carole have been best friends since childhood. Now in their twenties, they find themselves struggling with hardship and limited opportunities in their sunny small hometown. Despite their challenging circumstances, they have maintained a resilient and cheerful spirit, supporting each other throughout life’s ups and downs. But their lives take a dramatic turn when Hélène, a single mother of three, receives a sudden notification that her welfare checks have been reduced, threatening her ability to support her family. Overwhelmed by this injustice and feeling powerless in the face of societal inequalities, the five women are driven by a fierce desire to change the course of their lives. They make the shocking decision to rob a bank, and soon commit a series of increasingly daring heists. screenplay Mélissa Drigeard Vincent Juillet cinematography Stéphane Vallée editing Sabine Emiliani music Chloé Thévenin production design Serge Borgel costumes Frédéric Cambier cast Lyna Khoudri (Katy) Laura Felpin (Laurence) Izïa Higelin (Hélène) Mallory Wanecque (Carole) Kenza Fortas (Malika) Moussa Maaskri (Adel) producer Julien Madon production Cheyenne Federation co-producers Bastien Sirodot Laurent Jacobs co-productions France 2 Cinema Be Tv Orange world sales Ginger & Fed www.federationstudios.com “It all started with the podcast by Fabrice Drouelle, Affaire Sensible. My co-writer Vincent Juillet happened to catch the one that was about the Gang des Amazones and told me, ‘You have to hear this! It’s an amazing story!’ I did, and I was fascinated by the road these five young women had gone down. Childhood friends from the working-class neighborhoods in Isle-sur-la-Sorgue, some of them even mothers now, and one day they decide to some something crazy like rob a bank? How did they get to this point?” Mélissa Drigeard is a French actress, director, and screenwriter, born in Paris. She pursued a career in advertising after completing her studies, first as a copywriter at the advertising agency Young & Rubicam for two years, before giving up that job to pursue a career as an actress. She then realized that being an actress was not enough for her and began writing her first play, Les Quatre Deneuve, in which she featured. She wrote the series Quadras (2017) and co-wrote and directed Never on the First Night (2014), Tout nous sourit (2020), and Hawaii (2023). 2025 Le gang des Amazones 2022 Hawaii 2020 Tout nous sourit 2014 Jamais le premier soir

Samuel, a journalist, and his daughter Ava, a young intern, are following the case of an acid attack fatal to a young woman for the magazine they work for. Struck by the brutal murder and his daughter’s interest in the case, Samuel decides to conduct an independent investigation without informing his editors. What he finds are disturbing similarities to the killing of another woman. screenplay Peter Dourountzis Christophe Cousin Christophe Cantoni Fabianny Deschamps cinematography Victor Seguin editing Jean-Christophe Bouzy music Amine Bouhafa sound François Boudet production design Olivier Radot costumes Rachele Raoult cast Sami Bouajila (Samuel) Mallory Wanecque (Ava) Jean-Pierre Darroussin (Christian) Valérie Donzelli (Solveig) Stefan Crepon (Aubin) Andréa Bescond (Elizabeth) Gilles Cohen (Spagiani) Samuel Jouy (Jessica's father) Paul Hamy (Luc Lacombe) Matthieu Lucci (Némésis) producers Thibault Gast Matthias Weber Christophe Delsaux productions Oriflamme Films 2425 Films world sales Ginger & Fed www.federationstudios.com “Crime stories in the news have always inspired novels and films. They started to get a lot of visibility on television with the popularity of programs like Faites entrer l'accusé, and just as fast, they conquered the streaming platforms, which made them their top draws. Crime stories are fascinating because they are true: 'that’s just the way it happened,' 'truth is stranger than fiction.' Not only: the same case can be judged mediocre or sublime, comic or tragic – everyone can identify with it. Observing these stories from a distance, they can be considered a form of entertainment. You laugh as a way to shield yourself from the idea that something like that could ever happen to you. [...] Above all, a crime story in the news allows us to understand our own age in a sociological way; it also tells us truths that certain novels just touch on. As far as I’m concerned, I got into the subject when I made my film Vaurien. I’d read up on Parisian serial killers from the 1990s, like Guy Georges, Mamadou Traoré, and Patrick Trémeau, and it exhausted me. Those stories ultimately evoked male dominance, although, at that time, no one was talking about the patriarchal society or femicides. I tend to be an observer in life. In the fifteen years I spent at the Samu Social organization in Paris, ordinary violence, called 'crime news,' was, you could say, my daily bread. Certainly, something of that period has carried over to my writing.” (Peter Dourountzis) Peter Dourountzis’s first feature film, Vaurien, was about a rapist and serial killer played by Pierre Deladonchamps. A former student at the ESRA Film School in Paris, Dourouontzis has made several short films, one of which, Errance (2014), won the Grand Prix Unifrance and was awarded best film at the Amiens Festival. Vultures marks his return to filmmaking after a five-year hiatus.  2025 Rapaces 2020 Vaurien

When Ingrid pulls the trigger, her victims don’t know who has shot them. Her skill for infiltrating and disappearing without leaving any trace makes her a merciless contract killer. But that power comes from another world, a place inhabited by monstrous creatures, from which she emerges less human each time. Ingrid gets a commission from Melville, a smuggler who uses the port to traffic in strange merchandise and who is about to lose everything. A powerful rival businessman has come to the city and is going to take control of the port. He lives entrenched in a building full of security guards and armed bodyguards. Killing him is a job that only Ingrid can do. Everything changes when Melville discovers Ingrid’s secret: her mysterious connection with the sea and her true nature, which makes her into the most valuable merchandise of all. screenplay Pablo Hernando cinematography Sara Gallego Grau editing Pablo Hernando music Izaskun González production design Jaime Anduiza costumes Javier Bernal Belchí cast Ingrid García-Jonsson (Ingrid) Ramón Barea (Melville) Kepa Errasti (Jonás) Iñigo de la Iglesia (Abasolo) David Pareja (Durán) Iñake Irastorza (Secretary Labayen) Paolo Sassanelli (Donatien Vidussoni) Jon Ander Alonso Unanue (Young Melville) Eñaut Gantxegi (Ingrid's father) Unax Hayden (Abasolo's son) Haizea Carneros (Ingrid as a child) Patxi Santamaría Murua (Ramón) Julián Génisson (Bar Waiter) producer Leire Apellaniz López co-producers Cristiano Bortone Nahikari Ipiña executive producers Carmen Lacasa Daniela Porto productions Orisa Produzioni Señor y Señora Sayaka Producciones world sales Latido latido@latidofilms.com www.latidofilms.com Italian distribution Piano B Distribuzioni gianni@pianobproduzioni.com Pablo Hernando is a filmmaker from Vitoria known for his low-cost films, like the detective thriller Berserker (2015) or the anthological comedy Esa sensación (2016), directed alongside Julián Génisson and Juan Cavestany. 2024 Una ballena 2020 El ruido solar (short) 2017 Salió con prisa hacia la montaña (short) 2016 Esa sensación (directed with Julián Génisson and Juan Cavestany) 2015 Berserker   2013 Magia (short) 2011 Agustín del futuro (short)

In the working-class neighborhoods of Nice, a pillar of the local Georgian community is murdered. His son Tristan, who aspires to become an orthodox priest, finds himself alone with his grieving mother. Gabriel, his older brother with a troubled past, reappears from a long exile to make amends by redeeming his family’s honor. screenplay Akaki Popkhadze Florent Hill cinematography Justin Vaudaux editing Mathieu Toulemonde music Guillaume Ferran sound Guilhem Donzel production design Thibault Pinto costumes Tiphaine Ressort cast Nicolas Duvauchelle (Gabriel Pératzé) Florent Hill (Tristan Pératzé) Ia Shugliashvili (Catherine Pératzé) Denis Lavant (Jacques) Finnegan Oldfield (Marco) Sandor Funtek (Emir) producers Sébastien Aubert Leslie Jacob Alain-Gilles Viellevoye Fabrice Delville Elisabeth Senger-Weiss production Adastra Films co-productions Beside Productions Elly Films world sales Urban Sales us@urbangroup.biz www.urbandistrib.com "When I came to France, I did not speak the language. This made the first years of integration difficult. I think the incapacity of communication drew me to the violence. This was my only possibility of expression. And cinema acted as my only way to escape my reality. I literally learned the French language by watching TV all day long and by going to the cinema. The only benefit with the incapacity to communicate is that you become very good in observation of your environment and people around you. Whether for the two brothers or the mother, the movie is infused with this incapacity to express emotions and talk to each other." (Akaki Popkhadze) Akaki Popkhadze was born in Georgia in 1991 and grew up in Russia until he was 13 years old. His family then moved to Nice. Little by little, through encounters and by devouring Hercule Poirot episodes on TV, he learned the French language. His family had a difficult start and very soon he had to earn a living. He worked as a security agent in the luxury villas of Saint-Jean Cap-Ferrat or as a waiter in nightclubs in Monaco and Saint-Tropez. When he entered the Ecole Supérieure de Réalisation Audiovisuelle (ESRA) in Nice, he finally got back to his childhood dream: making films. In 2017, he wrote and directed Le soleil des nuits blanches. Hailed by many professionals, this short film was screened at the PÖFF Shorts (Tallinn Black Nights film festival) as well as other festivals. In 2018, he wrote and directed Je vois, a medium-length film in a single shot-sequence of 36 minutes that received numerous distinctions, including from the CNC (Quality Award) and the Best Director Award at the Copenhagen Film Festival. His next short film Ici en silence tout hurle was awarded at Clermont-Ferrand Film Festival 2024. 2024 Brûle le sang 2023 Ici, en silence, tout hurle (short) 2018 Je vois (medium-length film) 2018 Jekyll, de la page blanche au lever de rideau (short) 2017 Le Soleil des