by Roberto Andò
Italy, France, 2018, 110’, color, DCP

Roberto Andò
Angelo Pasquini

with the collaboration of
Giacomo Bendotti
Maurizio Calvesi
Esmeralda Calabria
Fulgenzio Ceccon
production design
Giovanni Carluccio
Lina Nerli Taviani

Micaela Ramazzotti [Valeria Tramonti]
Renato Carpentieri [Alberto Rak]
Laura Morante [Amalia Roberti]
Jerzy Skolimowski [Jerzy Kunze]
Antonio Catania [Vitelli]
Gaetano Bruno [Diego Spadafora]
Marco Foschi [Riccardo]
Martina Pensa [Irene]
Renato Scarpa [Onofri, Minister of Culture]
Alessandro Gassmann [Alessandro Pes]

Angelo Barbagallo
executive producer
Gianfranco Barbagallo
Bibi Film
with Rai Cinema
Patrick Sobelman
AGAT FILM & CIE - Ex Nihilo
with the support of
MiBAC - Ministero dei Beni e delle Attività Culturali
Regione Lazio

world sales
Rai Com

Valeria, the young secretary of a film producer, lives a secluded life, on the same landing of an apartment block as her mother, and pens anonymous scripts for a successful screenwriter, Alessandro Pes. One day the woman is approached by a mysterious retired policeman who wants to tell her the story of a crime. Valeria is wary but captivated by his words. When she goes home she uses what she has heard to write a scenario which the producers have been waiting for anxiously: it will be Alessandro Pes’s next screenplay. The scenario goes down very well, to the point where foreign groups show an interest in financing the film and a rather elderly but revered American director is hired to make it. But that plot turns out to be a dangerous one: the Storia senza nome, or "Story without a Name", is in fact about the mysterious theft of a famous picture by Caravaggio, The Nativity, carried out in Palermo in 1969 by the Mafia. It doesn’t take long for the consequences to surface and Valeria will find herself taking on what is an unusual role for her.

"This is a film about the cinema, an ironic and paradoxical act of faith in its capacities to investigate reality and transcend it. It has always been argued that even the most powerful and visionary of imaginations has to pay the price of an a priori impotence: the impossibility of provoking real effects. My film, in a playful, and I hope entertaining, manner, demonstrates the opposite. Angelo Pasquini, Giacomo Bendotti and I chose a legendary episode from the annals of Italian crime, the theft of Caravaggio’s Nativity in Palermo in 1969. The history of our country is strewn with unsolved crimes, incomplete fragments of which only an act of the imagination is able to make sense. This film is just such an act of the imagination."

Roberto Andò (Palermo, 1959) is an Italian director, screenwriter, playwright and author. He debuted as assistant director, working with Francis Ford Coppola, Federico Fellini, Michael Cimino and Francesco Rosi, among others. In 1986 he debuted on stage directing La foresta-radice-labirinto, a puppet theater work based on an Italo Calvino's original story and with puppets drawn by Renato Guttuso. After several documentary films, Andò made his feature debut film in 2000, with Il manoscritto del Principe, produced by Giuseppe Tornatore. His debut novel, Il trono vuoto, won the Campiello prize for best first work; from the novel he derived the film Viva la libertà.

2018 Una storia senza nome
2016 Le confessioni
2013 Viva la libertà
2006 Viaggio segreto
2004 Sotto falso nome
1999 Il manoscritto del Principe
1995 Diario senza date (doc)

Una storia senza nome
Una storia senza nome
Una storia senza nome
Una storia senza nome
Una storia senza nome
Roberto Andō
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03/12/2018 h 21:00IULM 6 - Auditorium
presented by the screenwriter Angelo Pasquini
preceded by
Premiazione del vicitore 2018